The 16-35mm F2.8 GM closed the company’s gap in what many call the “trinity” of zoom lenses, which usually includes a wide-angle like the 16-35mm, a 24-70mm and a 70-200mm. With the release of the 16-35mm in August, the company will have fleshed out their must-have lenses for the working pro wedding, event, news and sports shooters.
The 12-24mm F4 G is an ultra-wide-angle lens that’s particularly targeted at architectural, landscape, real estate and other fields where a wide-angle is necessary but so is critical sharpness at the edges.
The image samples we saw for both lenses have minimal distortion and fantastic edge-to-edge sharpness. Flare is noticeably absent from both of the lenses, with both internal design elements and external coatings designed to reduce both flare and ghosting. I shot both the 16-35mm F2.8 G Master and 12-24 F4 G lenses with subjects.
In a day of early-access shooting, we were able to shoot with both lenses, along with the 100-400mm F4.5-5.6 GM, which we first saw at the Sony a9 launch, and the two wide-angle lenses really have terrific performance when shooting with sun directly behind a subject. In only a few of the images did we see any lens flaring at all, and chromatic aberration and fringing was nearly absent.
In this shot of thin metal spokes with a chrome wheel against a bright sky, for instance, shot with the 16-35mm, there’s virtually no unexpected flaring or aberration. This sort of detail, thin lines against a backlit sky, would often result in fringing with many of the lenses I’ve used over the years.
The 16-35mm F2.8 GM has eleven aperture blades for super-smooth “bokeh” defocus, which the company is understandably proud of. In our press walk-through the company talked about how their goal is to make lenses that are both sharp but provide excellent background defocus.
From the press release, about the design of this 16-35mm F2.8 GM lens: “The new lens features…an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and delivers the ultimate resolution throughout the entire zoom and aperture range. The front XA element on the FE 16-35mm F2.8 GM is the largest XA element ever produced, ensuring optimum quality. Additionally, two ED (Extra-low-Dispersion) glass elements keep chromatic aberration to a minimum while maximizing resolution, and Sony’s original Nano AR coating suppresses internal reflections to ensure excellent image contrast and clarity.”
Both lenses are significantly lighter than their counterparts on DSLR platforms, something that the company was also keen to mention in their presentation. While they’re both just a touch smaller than their equivalent lenses on the Nikon and Canon platforms, they’re nearly 50% lighter.
When combined with the a9, the focus on both lenses is nearly instantaneous, as was also the case when we shot with the a7R II, although the a7R II naturally does not keep up with the focus speed of the a9.
The Sony 16-35mm F2.8 GM will be around $2,200 and will ship in August; the Sony 12-24 F4 G will ship in July for around $1,800. We’ll do a longer review when our media samples arrive in a few weeks.
The full press release and more image samples are below.
Sony 12-24mm F4 G
Sony Introduces Two New Wide-Angle Full-Frame E-Mount Lenses
New 16-35mm F2.8 GM completes the E-mount F2.8 G Master “trinity”; 12-24mm F4 G covers widest angle among all full-frame E-mount lenses
SAN DIEGO, May 17, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today announced two new additions to their growing lineup of full-frame E-mount lenses.
The new lenses include the FE 16-35mm F2.8 GM large aperture wide-angle zoom lens (model SEL1635GM) and the FE 12-24mm F4 G ultra wide-angle zoom lens (model SEL1224G). The FE 16-35mm F2.8 GM lens brings the incredible high-resolution and beautiful bokeh of Sony’s flagship G Master series to a wide 16-35mm focal length for exceptional landscapes, cityscapes, portraits and more, while the 12-24mm F4 G, Sony’s widest full-frame E-mount lens to date, offers a dynamic new perspective for all Sony E-mount shooters. In total, Sony’s full-frame E-mount lens lineup now covers from ultra-wide 12mm to super-telephoto 800mm (with teleconverter) focal length range.
New FE 16-35mm F2.8 GM Wide-Angle Zoom Lens
The new FE 16-35mm F2.8 GM wide-angle zoom joins the acclaimed FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS to round out Sony’s lineup of F2.8 large aperture zoom lenses. Equipped with a variety of Sony’s most advanced lens technologies, it is the first wide-angle G Master model, making it ideal for an extensive variety of shooting situations – landscapes, architecture, close up portraits, sports, action and much more. It is also exceptionally lightweight and compact, maximizing portability and usability.
The new lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and delivers the ultimate resolution throughout the entire zoom and aperture range. The front XA element on the FE 16-35mm F2.8 GM is the largest XA element ever produced, ensuring optimum quality. Additionally, two ED (Extra-low-Dispersion) glass elements keep chromatic aberration to a minimum while maximizing resolution, and Sony’s original Nano AR coating suppresses internal reflections to ensure excellent image contrast and clarity.
The lens features a near circular aperture shape at all settings, and the combination of the aforementioned XA element with its 11 blade aperture design produces images with sharply focused subjects and beautifully defocused backgrounds or “bokeh”. It also has two DDSSMs (Direct Drive SSM) that compose a floating focusing system and ensure that AF acquisition is speedy and quiet, making it an ideal choice for shooting still images as well as movies.
The FE 16-35mm F2.8 GM is also dust and moisture resistant1, has a fluorine coating on the front lens that helps to both prevent dust or grease marks and remove them easily if they do become a trouble. There is also a customizable focus hold button and a hood release button.
New FE 12-24mm F4 G Ultra-Wide-Angle Zoom Lens
A uniquely designed ultra wide-angle zoom lens, the new FE 12-24mm F4 G lens produces outstanding image quality in a compact, lightweight design, weighing in at approximately 20 oz. Sony’s widest full-frame E-mount lens, it offers a dynamic perspective for landscape, architecture and interior photography, and is well-suited for both stills and video shooting.
The lens features an innovative optical design with four aspherical elements that ensure excellent corner to corner sharpness and resolution. Additionally, the lens has three ED glass elements and one Super ED glass element that minimize chromatic aberration throughout the entire image, and also includes Sony’s original Nano AR coating.
The new FE 12-24mm F4 G lens includes a DDSSM (Direct Drive SSM) for fast, quiet and precise AF performance, plus a customizable focus hold button and focus mode switch. It is also dust and moisture resistant 1.
Pricing and Availability
The new FE 16-35mm F2.8 GM Wide-angle Zoom Lens will ship this August and will be sold for about $2,200 US and $3,000 CA.
The new FE 12-24mm F4 G Ultra wide-angle Zoom Lens will ship this July sold for about $1,700 US and $2,300 CA.
A variety of exclusive stories and exciting new content shot with these new lenses and other Sony α products can be found atwww.alphauniverse.com , Sony’s community site built to educate, inspire and showcase all fans and customers of the Sony α brand.
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 Not guaranteed to be 100% dust and moisture proof.