Photographers will recognize many parts of this high-end Canon motion camera, as it’s an evolution of the company’s video-capable still cameras.
Editor’s Note: This piece first appeared in our Spring issue and reflects the products available at the time of publication. To see our equipment coverage of new gear, visit our Camera and News sections....
Learn how the additive quality of light impacts metering and lighting ratios, so you can light your subjects for your desired look
By William Sawalich
In an effort to explain how some light plus a little more light becomes even more light, let me explain how this might matter in the first place. Let’s say you’re photographing a portrait in a studio setting, so you set up a light to illuminate the subject. (It could be a strobe, a hot light, an LED, in a softbox, with a snoot—as long as it’s...
Use the benefits of digital imaging technology, but it’s essential to get the composition right in-camera. Follow these tips from Rick Sammon, with images from his workshop in China.
Text & Photography By Rick Sammon
If you ever shot 35mm slide film, you know that it was essential to get a good exposure in-camera. Slide film was not forgiving, as opposed to negative film, which was forgiving, that is, your exposure could be “off” by a stop or two over or under the correct exposure and you could still make a good print.
Slide film shooters had to spend time thinking...
By following these guidelines, it’s easy to get precisely exposed images of the outdoors with practice and patience
Text & Photography By Rick Sheremeta
With a wide range of highlights and shadows in this panorama of Glacier National Park’s Swiftcurrent Lake, understanding a camera’s exposure settings is key to a properly exposed image.
When I talk with other photographers, many confess that they always shoot in one of the camera Program Modes. The consensus seems to be something along the lines...
Create striking images with these essential qualities of monochrome photography
Text & Photography By Meredith Winn
Contrast. The human eye sees in color. When colors are converted to black-and-white, we see shades of gray. Light colors become highlights. Dark colors become heavy tones. The difference between these two ends of the spectrum is called tonal contrast. Contrast is an important consideration in any photograph, but even more so for monochrome images. This...
With a few speedlights and light stands to start, anyone can turn a small room or garage into a portrait studio
Text & Photography By Tom Bol
Behind the scenes in the garage studio. Using one Nikon SB-5000 flash in a 30” Lastolite Ezybox and a Lastolite TriLite reflector below the model to create clamshell lighting.
I remember walking into Bathhouse Studios in New York for the first time. Stretching out before me was 4,000 square feet of shooting space, including a 30-foot white cyclorama...
10 tips to help you capture compelling sports-action photos
By William Sawalich / Photography By Mike Powell
Willingness to go the extra mile is essential for capturing special images whether at the Olympics or Little League. In photographing swimmer Michael Phelps at the Beijing Olympics, Powell scouted ahead of time to find the best location, far from the official position allocated to photographers.
Sports photography is one of those disciplines that can...
Beautiful landscapes and cityscapes, as well as powerful photo essays, can be created by anyone with a camera, a concept and the desire to take memorable images
Text & Photography By Mark Edward Harris
How does a photographer transcend the “I was here” imagery that’s often associated with travel photography and create fine-art images of places near and far? From the dozens of workshops I’ve taught on the subject, as well as talking with—and carefully studying the work of—many of the great globetrotting lensmen and lenswomen in the field,...
Photographer Matt Molloy shares his techniques for creating “timestacks,” his spectacular images of the world
Text & Photography By Matt Molloy
Smeared Sky. Made from 500 photos, this is the first sunset time-lapse I tried the stacking method with. I was surprised with the outcome, but even more so with the feedback. It wasn’t long before it went viral. I was getting lots of emails, some asking questions about the technique and others hoping to share it on their website or blog. Milky Way...
An assortment of creative techniques to turn average flower photos into pieces of floral fine art
Text & Photography By Harold Davis
Alstroemeria Medley: I photographed this arrangement of Alstroemerias (Peruvian lilies) straight down on a light box, then used a series of LAB color adjustments in Photoshop to create the painterly effect you see here. 85mm macro, seven exposures combined in Photoshop, exposures at shutter speeds ranging from 1/4 sec. to 5 sec., each exposure at ƒ/64...