While documenting the contemporary West is Stoecklein’s personal mission, it’s this work that led him to more assignments for companies like Jeep®, Chevrolet, Marlboro, Ford, Remington, Bayer Pharmaceuticals and Wrangler, among others.
He uses long lenses for most of his work, mainly a 70-200mm and 400mm. He does some wide-angle portraiture, but generally uses telephoto focal lengths to allow a little breathing room between himself and his subject, and keep the atmosphere relaxed. He’s known for his ability to harness light during those brief magical hours immediately after sunrise and before sunset when the sky is filled w
ith ambient light that delivers breathtakingly beautiful colors and hues. Strong use of light and a keen understanding of the impact of color temperature add a sense of drama to Stoecklein’s portraits, which often look like they were taken straight out of the Old West.
Lighting and story are the key elements of any great photograph.
“Lighting and story are the key elements of any great photograph,” he says. “An environmental portrait really is just like any other photograph. The first thing is, it has to convey an emotion and tell a story.”
To see more of David Stoecklein’s work, visit www.stoeckleinphotography.com.
PERFECT PORTRAITS PHOTO CONTEST
|Great portraits are more than just photos of people. The best capture emotion and context, and give us a window into the subject’s world. Now is your chance to share with Digital Photo’s editors and readers your most captivating portraits by entering the Perfect Portraits Photo Contest, presented by Mpix, at dpmag.com/perfect.
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