Gear

Lenses For Portraiture

Considerations when choosing a lens for flattering photos of people

By Wes Pitts
Though there’s no "perfect" lens for portraiture, it’s generally agreed that a moderate telephoto in the range of 85mm to 135mm (35mm equivalent) is a reliably good choice. For tight headshots, an even stronger telephoto in the 200mm or even 300mm range may be a better choice. A lot depends on the space in which you have to work,... Read more

New Gear: December 2015

Check out the new photography gear and accessories making headlines

By The Editors
CANON 120 MP DSLR AND CINEMA EOS SYSTEM 8K CAMERA Canon has announced the development of two new impressive cameras, a 120-megapixel DSLR and the Cinema EOS System 8K camera. The Cinema EOS 8K enables input and output for 8K video content, plus 8K to 4K down-conversion and 4K cropping. The camera is being developed with a Super 35mm-equivalent... Read more

The One-Light Portrait

Simple and elegant, less can be very much more

Text & Photography By Clay Cook
Over the course of a 40-year career, Annie Leibovitz created some of the most iconic and unique editorial portraiture, recognized all over the world. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. I scoured the Internet for information on her lighting setups, equipment and methodology, but... Read more

Underwater Housings

A range of options for keeping your gear dry

By Mike Stensvold
Underwater photography opens up a whole new world of photo opportunities, but requires some means of protecting your camera from the water. There are compact cameras that are designed to be used underwater, and for casual shooting or just trying it out, these are excellent, but they have small sensors and are limited in how deep they can go. Several... Read more

New Gear: September/October 2015

Check out the new photography gear and accessories making headlines

By The Editors
THREE NEW NIKKOR LENSES Nikon has introduced three new lenses, all featuring Nikon’s electromagnetic diaphragm for consistent exposures during high-speed shooting. For DX (APS-C) Nikon DSLR users, there’s the AF-S DX Nikkor 16-80mm ƒ/2.8-4E ED VR (equivalent in field of view to 24-120mm on a full-frame camera), which provides focal lengths... Read more

Optics For Macro

Three ways to get closer to your subject

By Mike Stensvold
Want to try exploring the miniature worlds accessible through close-up photography? There are options for every budget, from premium lenses specially designed for macro work, to relatively inexpensive extension tubes and close-up lenses, or "diopters", that resemble optical filters and attach to the front of your lens. Here are the basics... Read more

Pro Light With Flash Modifiers

Use these key accessories to refine the output of your portable speedlights

By David Willis
Modern on-camera flashes are so powerful that many photographers are looking at them as a primary light source, and not just for events. Many of the advanced capabilities that used to be reserved for much more sophisticated and expensive lighting systems are now found in speedlights. Like traditional studio lighting, adding any of several light-modification... Read more

New Gear: July/August 2015

To ensure the colors in your print are the same as what you viewed on your monitor while processing your digital image, it’s important to calibrate your monitor.

By The Editors
dp0 QUATTRO Sigma‘s dp0 Quattro is the fourth model in the compact Quattro series, and features the widest angle yet available in a Quattro model: a 14mm ƒ/4 (21mm 35mm equivalent). The dp0 Quattro is built on an updated Foveon Quattro sensor that, like previous Foveon sensors, uses green-, red- and blue-sensitive layers, resulting in highly... Read more

New Gear: May/June 2015

Canon’s 5DS and 5DSR, an ultrawide zoom for full-frame from Tamron, Samsung’s NX500, the latest Art lens from Sigma, and several more new photo accessories

By The Editors
CANON EOS 5DS/5DS R Now providing an affordable alternative to a medium-format camera, Canon has developed the EOS 5DS and 5DS R models, which offer the highest resolution of any 35mm DSLR, to date. Both the 5DS and 5DS R use a 50.6-megapixel, full-frame CMOS sensor and Dual DIGIC 6 processor, allowing quick 5 fps continuous shooting to capture the... Read more

New Gear: March/April 2015

Canon’s new EF 100-400mm ƒ/4.5-5.6L IS II USM, Sony’s 4K Action Cam, Seagate’s super-slim Seven portable drive, and more

By The Editors
CANON EF 100-400MM ƒ/4.5-5.6L IS II USM Canon has redesigned their compact super-telephoto zoom lens. Fully compatible with all EOS cameras, the EF 100-400mm ƒ/4.5-5.6L IS II USM lens now utilizes a rotation zoom ring for exact adjustments and weight balance instead of the previous model’s push-pull zoom. With this is an improved zoom torque... Read more

Epson SureColor P600

Featuring a new pigment inkset with epson’s densest blacks yet, this may be the ultimate desktop printer for black-and-white

BY Wes Pitts
SPECIFICATIONS Max Width: 13 inches Roll Paper-Compatible: Yes Number Of Inks: 9 Monochrome Inks: 4 Ink Type: Pigment Minimum Droplet Size: 2 picoliters Dimensions (WxDxH): 24.2x32x16.7 inches (trays extended) Estimated Street Price: $799 It has been nearly 20 years since Epson debuted their first desktop photo printer, the Epson Stylus Photo, in... Read more

2015 Editors’ Choice Awards

Our annual collection of noteworthy gear and technology

By The Editors
HOLDFAST GEAR MONEY MAKER What appeals to me about HoldFast Gear‘s innovative Money Maker camera-carrying solution isn’t simply that you can have up to three cameras at the ready—awesome for event and wedding photographers­—but that you can also attach HoldFast’s Explorer Lens Pouch and Indispensable Wallet to carry lenses,... Read more
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