Whether shooting in a dedicated studio space, a garage or a spare room, you can create professional-looking images with these powerful lighting setups
Text & Photography By Mark Edward Harris
Studio lighting, both flash and continuous, tends to be larger with separate power sources, it’s less portable and, often, it’s more expensive. These power packs and strobe units pay off in power, however, allowing photographers to shoot at virtually any ƒ-stop with fast recycling times and no fear of draining their batteries.
The shooting space...
An update to a popular wide-angle prime lens results in an instant classic
The Nikon AF-S Nikkor 28mm 1.4 E ED lens replaces the venerable NIKKOR 28mm f/1.4D, bringing a modern optical and operational upgrade that gives the new lens an incredible range of sharpness, low levels of distortion, and faster focusing.
The 28mm focal length is an interesting one, sitting within the range classic landscape-friendly zooms like a 24-70mm...
Using this often overlooked lighting solution for creative effect
Text & Photography By Thomas Boyd
There’s so much talk about OFF-camera flash these days, hardly anyone explores the nuances of the obvious useful technique of ON-camera flash. After all, every camera and every flash is designed with a convenient “hot-shoe” connector so the flash can be mounted and communicate with the camera. In simplest terms, a flash lights up a scene when...
Master lighting with the ideal tool for precision exposure control
Text & Photography By William Sawalich
There’s an often-overlooked device that some photographers say is outdated, but which in fact is just as useful today as ever. This necessity of the film era should still find a place in photographers’ bags, especially those who want total control over their lighting and exposure. It’s the handheld light meter, and it’s treasured by many photographers...
By the start of 2017, professional photographers and videographers were starting to get desperate, waiting for Apple to update their flagship computer, the Mac Pro. The company had last updated their high-end system in 2013, and some of the company’s (and the competitor’s) other products were starting to arrive with features not found on the Read more…
By David Schloss
By the start of 2017, professional photographers and videographers were starting to get desperate, waiting for Apple to update their flagship computer, the Mac Pro. The company had last updated their high-end system in 2013, and some of the company’s (and the competitor’s) other products were starting to arrive with features not found on the now-aging...
Thirteen ports, perfect functionality make this hub the go-to choice for Mac users
Last year I earned the dubious distinction of having flown 100,000 miles, a schedule of working travel that’s familiar to many a photographer. Spending weeks at a time away from home as I do, I’m a big proponent of the idea of making a laptop computer your only computer, something I wrote about here in Digital Photo Pro.
The company's new high-end glass gives shooters the images they've been craving.
When Olympus first challenged the conventional DSLR-based photographic market with the introduction of their first mirrorless camera, they steered clear of the traditional full-frame and APS-C-sized sensors and instead used their internally-developed Micro Four Thirds sensor. Smaller than either full-frame or APS-C, Micro Four Thirds sensors allowed...
On-location lighting is a balancing act of working with ambient and artificial light. These lighting solutions will help you capture your shot.
Text & Photography By Mark Edward Harris
Day In The Life Of A Location Shoot. This behind-the-scenes shot on location with photographer Gavin Bond reveals the need for lighting that can go anywhere and do anything. Multiple lights were used to create the look the client requested, and the results can be seen in our profile of Gavin Bond in our sister publication Digital Photo Pro in the September/October...
Fast, sharp and versatile, this zoom is one of those rare lenses that’s suitable for pro photographers as well as enthusiasts
Text & Photography By David Schloss
Most professional photographers steer away from zoom lenses with focal lengths that extend across several more than two focal-length ranges, due to concerns over image quality. You’ll see pros using zooms that are ultra-wide-angle on one end and wide-angle on the other (something like a 14-24mm), wide-angle to standard (24-70mm), telephoto to super-telephoto...
Fill your camera bag with the right tools to get the shot
By Brian Matiash
Editor’s Note: This piece first appeared in our Fall issue and reflects the products available at the time of publication. To see our coverage of the latest gear, visit our News section.
In the most basic sense, all a photographer needs to take a photo is camera apparatus and a lens. Well, those two things and light. But beyond that, do photographers...