Portable Lighting Guide

On-location lighting is a balancing act of working with ambient and artificial light. These lighting solutions will help you capture your shot.

Text & Photography By Mark Edward Harris

Day In The Life Of A Location Shoot. This behind-the-scenes shot on location with photographer Gavin Bond reveals the need for lighting that can go anywhere and do anything. Multiple lights were used to create the look the client requested, and the results can be seen in our profile of Gavin Bond in our sister publication Digital Photo Pro in the September/October... Read more

Hands-On Review: Sony FE 24-105mm F4 G OSS

Fast, sharp and versatile, this zoom is one of those rare lenses that’s suitable for pro photographers as well as enthusiasts

Text & Photography By David Schloss

Most professional photographers steer away from zoom lenses with focal lengths that extend across several more than two focal-length ranges, due to concerns over image quality. You’ll see pros using zooms that are ultra-wide-angle on one end and wide-angle on the other (something like a 14-24mm), wide-angle to standard (24-70mm), telephoto to super-telephoto... Read more

Must-Have Photo Accessories

Fill your camera bag with the right tools to get the shot

By Brian Matiash

Editor’s Note: This piece first appeared in our Fall issue and reflects the products available at the time of publication. To see our coverage of the latest gear, visit our News section. In the most basic sense, all a photographer needs to take a photo is camera apparatus and a lens. Well, those two things and light. But beyond that, do photographers... Read more

Lenses Demystified

Finding the right lens is key for any photographer but requires navigating a sea of confusing terms and technologies

By The Editors

Editor’s Note: This piece first appeared in our Summer issue and reflects the products available at the time of publication. To see our coverage of new lenses, visit our Gear/Lenses and News sections. A camera’s lens, arguably, is more important in shaping the final look of an image than is its sensor. Perhaps this wasn’t exactly true in... Read more

PhotoJoseph On Think Tank Photo’s Airport Advantage Plus Rolling Camera Bag

A video review of the new roller, which can hold a huge amount of gear with some creative division of compartments

PhotoJoseph

Do you like bags? Of course, you like bags. You’re a photographer; these seem to go hand-in-hand! The problem with bags is that you need *the right one* for every occasion, such as when you need to carry a lot of gear on a plane, but don’t want to have to check it. Airline bag restrictions are tight, and if your bag is an inch oversized, it could... Read more

Hands-On Review: Sigma 135mm F1.8 DG HSM Art

A superstar portrait lens with exceptional optics and great performance at a reasonable price

Text & Photography By David Schloss

Sigma has been making quite a name for itself, thanks largely to the company’s high-end “Art” lenses, which rival—and often exceed—the quality of the best lenses from the camera manufacturers, at a lower price, to boot. Available for Nikon, Canon and—via the company’s MC-11 adapter—Sony E mount, the Art series gives shooters of the major... Read more

Top Road-Tested Camera Bags

From backpacks to cases to messengers, when it comes to camera bags, there isn’t one perfect bag—just the right one for the photo assignment. Here are five we took on the road.

By The Editors Of Digital Photo Magazine

From backpacks to cases to messengers, when it comes to camera bags, there isn’t one perfect bag—just the right one for your current photo assignment. Here are five we took on the road. 1. SKB Cases iSeries Rock-solid performance meets protection at an affordable price. Read More… 2. Manfrotto Manhattan Changer-20 The three-way camera bag’s... Read more

Unique Perspective: Shooting With Specialty Lenses

Having the right specialty lens allows a photographer to capture a shot that would be missed otherwise

David Schloss

Editor’s Note: This piece first appeared in our Summer issue and reflects the products available at the time of publication. To see our coverage of new lenses, visit our Gear/Lenses and News sections. Photographers spend a lot of time and money striving to get the right combination of gear and technique to capture a “perfect” shot, one that... Read more

6 Top Guides To Lenses

Digital Photo reviews a few of the outstanding lenses introduced this year, plus an overview lens guide, how to build a prime lens kit and shooting with cine lenses

By The Editors Of Digital Photo Magazine

Digital Photo reviews a few of the outstanding lenses introduced this year, plus an overview lens guide, how to build a prime lens kit and shooting with cine lenses. 1. Guide To Lenses So you have a new camera—but in order to complete your kit, you’re going to need quality glass. A discussion of the focal lengths essential to the type of photography... Read more

Capture The Action: Lenses For Sports Photography

Shooting the perfect sports image requires training, practice and the right equipment. When it comes to lenses, super-wide-angles, fisheyes and portrait lenses are all part of a sport shooter’s kit.

By David Schloss / Photography By Jeff Flindt

Marlon Lipke, Portugal. A high-end telephoto lens with a wide aperture allowed for this shot with sharp action in the foreground and a soft background of the shoreline. Editor’s Note: This piece first appeared in our Summer issue and reflects the products available at the time of publication. To see our coverage of new lenses, visit our Gear/Lenses and News sections. The... Read more

Hands-On Review: Tamron SP 24-70mm F/2.8 Di VC USD G2

Fast, sharp and affordable, this lens delivers a knockout punch

David Schloss

The new Tamron SP 24-70mm F/2.8 Di VC USD G2 lens is a perfect example of the changes in the photographic market, and how the range of products available today offer photographers choices previously unavailable. The 24-70mm zoom is a must-have piece of gear, found in nearly every camera bag thanks to the versatility of the focal length range and the... Read more

Photography By Bike With A Good Light

With the Lustra 50, PRL has figured out LEDs so photographers don’t have to

DL Byron

Last week in Seattle, on Tuesday, when I was writing about dreariness (I called it dreeping), it was three times darker than the solar eclipse. THREE TIMES, and that reminded me to share with you how I’m getting street shots, even on the darkest days. It’s the Lustra 50 light, and what you need to know is that PRL has figured out affordable high-quality... Read more

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