On-location lighting is a balancing act of working with ambient and artificial light. These lighting solutions will help you capture your shot.
Text & Photography By Mark Edward Harris
Day In The Life Of A Location Shoot. This behind-the-scenes shot on location with photographer Gavin Bond reveals the need for lighting that can go anywhere and do anything. Multiple lights were used to create the look the client requested, and the results can be seen in our profile of Gavin Bond in our sister publication Digital Photo Pro in the September/October...
With the Lustra 50, PRL has figured out LEDs so photographers don’t have to
Last week in Seattle, on Tuesday, when I was writing about dreariness (I called it dreeping), it was three times darker than the solar eclipse. THREE TIMES, and that reminded me to share with you how I’m getting street shots, even on the darkest days.
It’s the Lustra 50 light, and what you need to know is that PRL has figured out affordable high-quality...
A tough, lightweight and powerful strobe/head lighting unit. Oh, and it’s bright yellow.
Chris X Carroll
A four-foot-wide, brilliant yellow snow shovel sat for several years in the corner of my studio. Without exception, men who saw it would get a kind of gleam in the eye and immediately start asking where I got it, how it was to use, and on and on, no matter the season. Oddly, in the three years I wielded it to great acclaim, not a single woman took the...
We made our own 11,200 lumen LED lighting solution that’s lightweight and durable. Check out the how-to video.
We’re always looking for ways to save time and money in the studio, so we set out to see if we could create a low-budget but powerful lighting solution for photography and videography.
After wandering the aisles of the local hardware store, we found materials that allowed us to create our very own studio lighting hack—an 11,200 lumen light that...
Instant feedback from your camera’s LCD and lighting gear that’s lighter and more powerful can turn challenging lighting situations into stunning photos on the road
Text & Photography By Tom Bol
Photographer Tom Bol travels most of the year on assignment and inevitably finds himself in challenging lighting situations. His portable studio kits help him conquer the conditions and return home with the shots he needs. Nikon D3, 14-24mm, shot at 1/250 at ƒ/14, Elinchrom Quadra with 39” Deep Octa Softbox
I spend much of my year traveling the globe...
Our gear recommendations for returning home with meaningful travel images
To capture amazing travel photography, you need the right gear, and the right techniques. With these best-in-class cameras, lenses, tripods and accessories, you can capture amazing images, wherever life takes you.
Read our travel how-to guide
There are pros who take high-quality travel pictures with an iPhone. If you want professional-quality...
An inexpensive and portable light that may be the ideal solution for many photographers
Lighting gear is essential to us as photographers, and one of the challenges we face is finding good, inexpensive solutions that are small enough for us to carry anywhere.
Our portability and affordability problems are solved with Westcott’s Basics LED, thanks to the unique design of this LED light system—it uses standard “Edison” fixtures (those...
Our recommendations for the best gear to level up your portraiture work.
Read our portrait how-to guide
Most pros prefer full-frame cameras for portrait work, but whether you use a full-frame or crop-framed one like APS-C or Micro Four Thirds, you have the same needs. You want good image quality, a camera that feels comfortable and that makes sense to you. I use a Canon 1D X Mark II, but honestly, if I weren’t...
Over the course of a 40-year career, Annie Leibovitz created some of the most iconic and unique editorial portraiture, recognized all over the world. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. I scoured the Internet for information on her lighting setups, equipment and methodology, but...
Use these key accessories to refine the output of your portable speedlights
By David Willis
Modern on-camera flashes are so powerful that many photographers are looking at them as a primary light source, and not just for events. Many of the advanced capabilities that used to be reserved for much more sophisticated and expensive lighting systems are now found in speedlights.
Like traditional studio lighting, adding any of several light-modification...
For versatility in and out of the studio, these high-output strobes are ideal
By William Sawalich
When it comes time to invest in in serious strobe lighting, many photographers opt for the versatility of monolights. Whereas pack-based systems typically provide greater output (measured in watt seconds, or ws, equivalent to joules), monolights are modular, self-contained and less expensive—making them the ideal entrée into the studio strobe lighting...
Accessories and light modifiers for controlling speedlight flashes and adding photographic effects
By David Willis
Camera flashes are highly directional light sources. This means that the burst of light is coming from a single light source, the bulb, resulting in an uneven style of lighting with a brightly lit subject in the foreground and a lot of heavy shadows surrounding the subject. This effect is especially unappealing when working with portraiture, which,...