Picking The Perfect Lens For Portraits

Several factors combine to make a lens perfect for portraiture—focal length, optical design and speed, in particular

Text & Photography By William Sawalich

Every focal length reproduces a subject differently. Picking the right lens is as crucial, if not more crucial, than your choice of lighting and backdrop. Editor’s Note: This piece first appeared in our Summer issue and reflects the products available at the time of publication. To see our coverage of new lenses, visit our News section. What makes... Read more

An Incredibly Big Sigma Lens For Even Bigger Sensors

Photographers now have new class of a cameras that combine speed and resolution

Text & Photography DL Byron

Out shooting street with the 135 attached to an a7R Well, it just so happens I have a max-resolution lens in on demo that performs wonderfully on a first-gen a7R, and can’t wait to see what the Sigma 135mm F/1.8 DG HSM Art will do on the new Sony a7R III. I can only guess Sigma released the lens anticipating the sensors in the latest Sony, the Nikon... Read more

Guide To Lenses

Complete your new camera kit with these essential lenses

William Sawalich

A portrait lens, with good background defocus (often called “bokeh”), is an essential tool for any type of photography. Photo by David Schloss Editor’s Note: This piece first appeared in our Spring issue and reflects the products available at the time of publication. To see our coverage of new lenses, visit our Gear/Lenses and News sections. So... Read more

We Got That Cooke Look

We shoot with the Cooke miniS4/i 32mm T2.8-22 on a Sony a7S II, and the results are amazing

DL Byron

Have you ever wondered what a one-off cinema lens from a legendary manufacturer looks like attached to a Sony a7S II? After visiting the Cooke Optics factory, we did, so we tried one out. The results were lovely and left us at times amazed by the dimensionality, smooth rendering and quality. A Cooke lens of this type, the miniS4/i 32mm T2.8-22, is normally... Read more

Gear — Urban Night Photography

Gear recommendations for capturing the essence of a city at night

Brian Matiash

Read our urban night photography how-to guide Camera If the sun is down, it’s more than likely that I’ll be using a Sony a7S II full-frame mirrorless camera. While the sensor measures in at 12 megapixels, the pixels are very large and can pull in a ton of light. Its high-speed ISO performance is virtually unparalleled, though the Nikon D5 and Canon... Read more

Gear — Sports

The gear you need in the field to capture the action of sports

Brett Wilhelm

Read our sports how-to guide Cameras While mirrorless technologies continue to improve, the autofocus capabilities and frame rates of current DSLR cameras have made them the default choice for sports photographers, but that won’t last much longer. Nikon and Canon are the dominant players in the pro sports world. Nikon and Canon’s flagship full-frame... Read more

Gear — Landscapes

The tools you need in the field to return home with spectacular landscape images

Glenn Randall

Read our landscape how-to guide Camera Versatility and portability are important in landscape work because you’ll often need to travel to your subject. The Nikon D810 and Canon EOS 5DS offer high resolution in compact packages. The Pentax K-1 offers features designed for outdoor work, like GPS and star tracking. The Sony a7R II packs the highest resolution... Read more

Gear — Travel

Our gear recommendations for returning home with meaningful travel images

DPMag

To capture amazing travel photography, you need the right gear, and the right techniques. With these best-in-class cameras, lenses, tripods and accessories, you can capture amazing images, wherever life takes you. Read our travel how-to guide Cameras There are pros who take high-quality travel pictures with an iPhone. If you want professional-quality... Read more

Gear — Portraits

Our recommendations for the best gear to level up your portraiture work.

Thomas Boyd

Read our portrait how-to guide Cameras Most pros prefer full-frame cameras for portrait work, but whether you use a full-frame or crop-framed one like APS-C or Micro Four Thirds, you have the same needs. You want good image quality, a camera that feels comfortable and that makes sense to you. I use a Canon 1D X Mark II, but honestly, if I weren’t... Read more

Hands On Review: Sony G Master Lenses

New optics for a new generation of cameras.

David Schloss

It’s only natural that a camera platform as new as the Sony’s a7 series would be perceived as being a little bit short on lenses. When the first a7 shipped—only a few years ago—you could count the number of lenses that designed for its full frame sensor on one hand. The rest of Sony’s lenses were designed for their smaller APS-C sensor equipped... Read more

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