Photo Exercise: Something You Collect

Every collection tells a story
Text & Photography By Alessandra Cave
"Her umbrella was filled with rain she had collected in her travels & on hot summer days she would open it up for the neighborhood kids & we would splash in the puddles & then it would smell like Nairobi or Tasmania & later on we would sit on the…

Ends Of The Day

Saving and enhancing sunrise and sunset shots
By Rick Sammon
We all love photographing beautiful sunrises and sunsets. When everything comes together—the correct camera settings, the light, the composition, the foreground subject, the background, the mood and the all-important clouds—we get a near-perfect in-camera photograph. Of course, there are times when our photographs need a bit of workin' and playin'…

An Everyday Opportunity

How a photo project with purpose and deadlines can ignite creativity
By Tracey Clark Of Shutter Sisters
Creative inspiration can come in a number of ways. Quite often it hits when we least expect it. There's no denying when it strikes us, when we are reignited with photographic passion to capture the world around us with fresh eyes. But what happens when we don't want to wait?…

Master The Meter

Improve your exposure accuracy with a handheld light meter
Text & Photography By William Sawalich
When the photography world made the switch from film to digital, one casualty of the conversion was the handheld light meter. Those LCDs on the backs of cameras made handheld meters (in the eyes of many, at least) obsolete. But in fact, there's almost as much reason to use a…

How To Use A Large Format View Camera

An introduction to how 4x5 film cameras work
By William Sawalich
I recently sold a camera on eBay. It was a Linhof large format 4x5 studio camera. In the process, a potential buyer emailed to inquire about how to use the camera because his plans were to learn the process of using a view camera with this Linhof. It occurred to…

Learning to See in Black and White

Simple techniques to turn a platitude into a practical bit of photographic advice
By William Sawalich
It's a cliché that even I have used from time to time: to become a better black and white photographer, you've got to start to see the world in black and white. I don't mean moral extremes here. I'm talking about physically interpreting a scene in the unique ways that…
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