Shoot Pro Video

Creating the type of camera movements and high-quality editing you see in a major motion picture is largely due to the talent of the crew and their abilities with very specific filmmaking tools.
By David Willis
CANON CN-E 135mm T2.2 L F Cinema Prime Lens Creating the type of camera movements and high-quality editing you see in a major motion picture is largely due to the talent of the crew and their abilities with very specific filmmaking tools. While you may not have access to a…

Street Portraits

Mixing the spontaneity of candid street photography with the goals of portraiture
Text & Photography By J. Dennis Thomas
There's some debate about exactly what street photography is, and this debate also spills over into the realm of street portraiture. Many people insist that all street photography must be undirected, and the photographer should simply capture the event as it unfolds. While it's great to be an outside observer…

Images With Impact

Techniques to enhance the visual experience of a scenic photo
By Rick Sammon
One of my digital photography workshop participants, Gary Potts, strives to make images with impact. That's an admirable goal, and it's something to add to our photo hit list when we're out shooting. Like Gary, I enjoy making images with impact, but that's not always possible. What's more, not every…

Photographing Clear Objects

Lighting stuff is easy, right? You just point a light at it, and you can see it.
By William Sawalich
Lighting stuff is easy, right? You just point a light at it, and you can see it. But what if the thing you're trying to photograph is transparent—as in crystal clear? In that case, simply pointing a light at it won't work. You have to concern yourself with what can…

Balanced Illumination

Low-light flash photography can be frustrating, especially when you're new to it.
By William Sawalich
Low-light flash photography can be frustrating, especially when you're new to it. Balancing ambience nicely with flash seems like the mark of a masterful photographer, but it's actually fairly easy once you know the basics. The trick to balancing ambient light with your flash is to think of these two…

Histogram Exposure Adjustments in Lightroom

We all know what a good histogram should look like, right?
By William Sawalich
We all know what a good histogram should look like, right? A "normal" scene should not be too heavily weighted toward the left side of the histogram—the shadow side—or else we risk underexposure. Likewise, a normal scene's histogram shouldn't spike heavily toward the right, the highlight side, or the image…
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