The ISO Advantage
How to use the excellent high-ISO performance of today’s cameras

| Nikon D3, Nikon 24-70mm, ISO 500 |
I recently returned from photographing brown bears along the Katmai coast of Alaska. I was leading a workshop for Photo Quest Adventures, and we had more than 20 bears at a time on the beach. I’ve been returning to the same area for more than 10 years and have captured some fantastic bear images along this rugged coastline. But this last trip was different. Instead of getting only a few keepers out of the thousands of images I shot, I came back with numerous publishable photos. What was the difference? I used the ISO Advantage.
When I first photographed bears at Katmai, I was using a Nikon 8008 and shooting Fujichrome Velvia 50 and Provia 100. I’d bite my nails, hoping the weather would be nice. If we had clouds and low light, my ratio of usable shots would be embarrassingly low. Photographing a 1,000-pound brown bear running in murky low light at ISO 100 was an Olympian feat. Even with wide-open apertures, my shutter speeds were really slow. I could push (increase the ISO) my 100-speed film to 200, but this only added one stop of light. So instead of shooting at 1⁄30 sec., I could shoot at 1⁄60 sec., resulting in grainy, blurry shots. I like to think of this part of my wildlife photography career as my “abstract period.” I produced a lot of abstract motion-blur images, but few tack-sharp shots.
How times have changed. Today’s cameras are technological wonders, and all photographers benefit using these advanced features. The default ISO for many cameras today is ISO 200, and pushing this number higher is the norm, not the exception. I use a Nikon D3 and regularly shoot at ISO 800, 1600 and even 3200, five stops faster than ISO 100. So instead of photographing those bears at 1⁄30 sec. in low light, I can shoot at 1⁄1000 sec. Bring on the charging grizzly!
There are lots of ways to take advantage of the high-ISO performance of today’s cameras. But before we explore high-ISO techniques, let’s look at how camera sensors work and what affects their ISO performance.
Camera Sensors
Camera sensors consist of an array of photosites where light is captured. Sensors capture light (photons) and convert this into an electrical charge that’s eventually converted to a digital value by the analog-to-digital converter. The camera processes this digital value into the final image. Most camera sensors today are either CCD or CMOS.
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Holly makes this comment
Friday, 04 December 2009
Best tips yet
I always enjoy reading these articles but have found this one to be most helpful yet! Wonderful, easy to understand information that I can't wait to implement in my hobby! Thank you!Fred McFaddin, Jr. makes this comment
Sunday, 06 December 2009
ISO Wow!
I have been 35mm film photographer for many years as a hobby. I have switched to digital 3 years ago and am now considering going pro. This article is one of the most informative I have read, The techniques discussed here will be a great help as I move forward. Thank you, Tom.Seth makes this comment
Monday, 07 December 2009
Paulette makes this comment
Tuesday, 08 December 2009
ISO
Thanks for the great tutorial. I just upgraded to a Pentax 20D this year, left the ISO default, and found some of my deep-woods photos a bit dark. I'll be dialing up the ISO on my next trip.Doug makes this comment
Wednesday, 16 December 2009
Great
Excellent article!! Now out to try more with myD700!Khurt makes this comment
Thursday, 17 December 2009
Thank
My local photography club is taking a trip into Jersey City (NJ) to spend the day shooting. I was worried that I would not be able to shoot when they sun goes down without lugging a tripod and a flash. But after reading this I think I can make do with my just my Nikkor 35mm f/1.8.Doifol makes this comment
Wednesday, 10 February 2010
Vilion makes this comment
Friday, 05 March 2010