Tuesday, August 17, 2010
Creative Wedding Photos
Make memorable images with these essential tips from a top wedding pro
Labels: How To, Camera Technique

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1. PREPARE YOURSELF with the right attitude and the right equipment. Pineda photographed her first wedding the day after college graduation. “My very first wedding was one of my biggest nightmares,” she says. “You can’t redo weddings, so I went with three camera bodies thinking I was golden. Over the course of my very first wedding all three broke. Literally pushing down the shutter, I lifted it up and there was a spring in my hand. It just fell apart. I kept a smile on my face, and I remember saying, ‘Okay, I’m going to switch to black-and-white now.’ I turned around and then my face fell. But they never knew anything was wrong. Being able to keep your cool and calm in any situation so that they don’t lose confidence in you is so important.”
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3. DON’T BE A GEAR JUNKIE or you’ll lose sight of what’s important. “A lot of people get caught up in the gear,” says Pineda, “and I’m just so anti that. It’s really the set of eyes and the personality that’s behind the camera that creates the images.” Sure, Pineda brings backups in a spare kit, but on her shoulder is slung a simple bag with one body and a few lenses. “I shoot with the new Canon EOS 5D Mark II,” she says. “I have a 70-200mm, I have a 15mm, a 24-70mm and a Lensbaby. And flashes, of course. I could shoot the entire wedding with a 70-200mm if I had to. That’s my favorite lens.”
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5. MAKE THE MOST OF LIGHT with ambience and off-camera flash. Pineda advises utilizing natural light whenever possible. It’s so much better to boost the ISO and get the shot than to miss it. When she does work with flash, it’s never on-camera. Moving the light adds depth, dimension and interest. “I’m utilizing natural light a lot,” she says, “and whenever I’m using flash it’s never on my camera. A lot of newbies are really overwhelmed by that—by the speed that you have to move and to not have the flash on your camera—but it’s very doable. I have an assistant and that’s really his key job—to light from 45 or 90 degrees.”
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