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Quick Fix

From digital photo restoration to fine-art conversion, Rick Sammon's Quick Fix column can help you create a masterpiece -- or at least take a truly great photo.



Make Your Subject Stand Out
Focus the point of interest in your photos with these easy techniques
quick fixOften, one of the main goals when composing a picture is to make the subject stand out from the background and surroundings. This is especially true in sports photography, where the photographer wants to isolate the subject from a distracting background, such as when a football player is running in front of a cheering crowd.


Digital Start To Finish
How I get from capture to print

quick fixI usually devote this column to fixing and enhancing pictures in Photoshop Elements or Photoshop CS3 and, more recently, Adobe Lightroom. For a change, I thought I'd share my digital start-to-finish process, covering what I do, and what you can do, in the quest to make a picture-perfect inkjet print.


Lightroom Hearts Photoshop
Together, these two powerful programs offer the ultimate in file management and image enhancement

quick fixCheck out the opening image for this installment of Quick Fix. It's the result of using both Adobe Photoshop Lightroom and Adobe Photoshop CS3 on enhancing a photograph that I took in Cappadocia, Turkey, during a 2007 family vacation.


Simulating In-Camera Effects
Use these photoshop tricks to replicate the look of aperture and shutter speed adjustments

quick fixWith a digital SLR, and even with many compact cameras, you can manually select the shutter speed and ƒ-stop for powerful creative control. Fast shutter speeds (1⁄500 sec. and higher) freeze most action, and slow shutter speeds (1⁄30 sec. and slower) blur action. Wide apertures (ƒ/4.5 and wider) can be selected for shallow depth of field, and small apertures (ƒ/8 and smaller) can be used for greater depth of field.


Saving A Backlit Shot
Get better results with one of the trickiest shots in photography

Quick Fix: Saving A Backlit ShotOne of the most challenging situations for a photographer is getting a good exposure of a subject when shooting into the sun. That's because the contrast range between the background and the backlit subject is usually too great for a good exposure of both the background and the subject. 


Letting Your Image Take Off
Ideas soar when you envision the end result
Letting Your Image Take Off

The opening image for this column was inspired by something that I try to do all the time in real life, with my photography and in the digital darkroom: have fun! The image looks as though my son and I are soaring at top speed high above beautiful blue water in a colorful biplane. It's one of my favorites, which I created after a family trip to the Florida Keys, and it captures the speed, fun, excitement and togetherness of our experience.


Hot Ice And Snow
Create the image that’s in your mind’s eye
Hot Ice And Snow

This column is about how to use the digital darkroom to transform a straight-out-of-the-camera shot into the image you envisioned when you pressed the shutter-release button. First, I'll share some techniques for working in a high-contrast situation—getting an image to appear how it actually looked to our eyes when we initially took the picture. That's mainly my objective when working with image files in Photoshop. Then we'll see how we can bring a fanciful idea to reality to create an out-of-this-world image!


The Details
Correct perspective and selectively control color with photoshop elements
The Details

One of the differences between a good photograph and a great one is how we handle the details. Check out this image of a beautiful Kuna woman who I photographed at the San Blas Hotel in the San Blas Islands, an archipelago of 365 islands that lies off the Atlantic coast of Panama. Compare it to the second and third photographs in this column, and you'll see that it has stronger colors and more contrast. I'll show you how to easily create a similar effect using Adobe Photoshop Elements. Of course, you can get to the same place using Adobe Photoshop. 


Fire In The Sky
Turn good sunsets into great sunsets
Fire In The SkyWe all love watching sunsets, looking at pictures of sunsets and, of course, photographing sunsets! The warm colors—deep shades of red, orange and yellow—evoke feelings of peace and tranquility and a sense of awe at nature's wonders.

Digital Image Enhancement With Adobe Camera Raw
The latest version offers terrific new tools and support for TIFF and JPEG
Digital Image Enhancement With Adobe Camera RawAdobe Camera Raw rocks! RAW shooters know that. But get this-the new version of Adobe Camera Raw in Photoshop CS3 isn't only for RAW shooters and wannabe RAW shooters who may have been intimidated by RAW image processing. This image enhancement tool is for all digital photographers, JPEG and TIFF shooters included. You see, the new Adobe Camera Raw (ACR), with all of its creative controls, actually lets you process JPEG and TIFF files, too. Who would have ever thought?

Fine-Art Conversion
Turn a fun snapshot into an art shot
Fine-Art ConversionRecently, my good friend Karen Ippolito e-mailed me a fun self-portrait. Karen is a good photographer and a talented artist who has taken many creative photographs with her Canon EOS 5D. However, for this self-portrait, she used a tiny point-and-shoot digital camera.



 
 

 
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