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How-To

Whether you're just learning photography basics or you need some advice on an advanced photo technique, our How-To section offers tips for shutterbugs at every level.



Shooting Blurs
Use your digital camera to capture the power of motion
Shooting Blurs

There's power in movement. While a sharp action image can be dramatic and beautiful, a blurry photograph that captures the energy of a moment can be equally as stunning. Blur softens the details of an image and, although normally we try to avoid this when creating a shot, it becomes an invaluable tool when interpreting movement.


June 2004 HelpLine

Resizing Images

    * Disappearing Photos
    * IRIS In Digial Cameras
    * Acronym Acrimony


Trade Tricks: Underwater Digital For Travelers
Create amazing images beneath the water’s surface with your digital camera
Trade Tricks: Underwater Digital For Travelers

If you've snorkeled or scuba dived on vacation, you already know about the amazing world that lies beneath the water's surface. The remarkable creatures and seascapes are so stunning that they beg to be captured in photographs. Thankfully, you don't have to be a professional photographer with expensive gear to take dramatic underwater images.


Camcorder Travel Made Easy
Learn how to effectively capture both still and video
Camcorder Travel Made Easy

Up until a few years ago, there was no question—you used a still camera for stills and a video camera for motion. Now that boundary has blurred. Many digital still cameras have a Movie mode, and many digital video cameras include a still-photo button. So, when you want to travel light, can one camera do the job of two? As with most things in life, it depends.


July/August 2004 HelpLine

Mega-What?

    * The Honeymoon Is Over
    * Batchin' It
    * Megapixels And DPI


A Flash In The Night
Create dramatic evening images with a touch of artificial light
A Flash In The Night

To create exciting images at night, a flash is an indispensable tool. Stunning results are possible by simply using a camera's built-in or auxiliary flash unit. Yet there's so much more that you can do with a flash beyond merely turning it on.


September 2004 HelpLine

Monitor Vs. Photo Size

    * Photos On The Monitor
    * Digital Terms
    * Depth Of Field And Digital Cameras


Bordering On The Edge
Enhance your images using mattes and borders
Bordering On The Edge

Creating a print is the ultimate goal for a photographer. From the moment the shutter is released, it's the image on paper that each photographer likely has in mind when the scene is captured on the camera's CCD or film. Yet the creativity involved in making the image in-camera doesn't have to end when it comes time to output that final photograph.


Lab Work
When to choose a lab for digital prints, and how to get the results you’re after
Lab Work

You probably like the convenience and control of making prints at home with your inkjet printer. With a little practice, you can get outstanding results and a good measure of personal satisfaction by doing your own printing. There are times when it might be a better option to turn to a professional photofinisher to do the work, however. In the early days of digital, this usually wasn't an option, as most labs weren't yet capable of printing from digital files. A lot has changed in a few years, and now even the photo lab at your local drugstore may be offering prints from your digital images.


October 2004 HelpLine

White-Balance Settings

    * Understanding White Balance Can Help
      You Better Deal With Color In Your Photos


The Critical Adjustment: Levels & Black
When the darkest and brightest parts of a photo are adjusted properly, the image will look and print better
The Critical Adjustment: Levels & Black

Despite the special features of today's digital cameras, many photographers have found the results from camera to print disappointing. Certainly, it's essential to calibrate your monitor and run tests with your printer, but that's not enough if the blacks of a photo aren't set correctly. I've seen poor prints from photographers puzzled by the fact that they did all the necessary calibration and "matched" the monitor, and still had lackluster results. I've even been surprised to find this problem from top pros who are now shooting with digital cameras.




 
 

 
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