Get A (Wireless) Grip
The latest generation of canon’s wireless transmitters offers more control and connectivity options Canon’s new Wireless File Transmitters for its pro-class cameras allow not only wireless image transfers, but also remote control of additional cameras.
Canon EOS Rebel T2i The new EOS Rebel T2i is to the EOS 7D as the EOS Rebel T1i is to the EOS 50D: The newest Rebel packs features from Canon’s most recent midrange EOS into a very compact and affordable body.
SLR vs. EVF
A new approach to interchangeable-lens camera systems gives photographers the option of smaller bodies. How do they stack up? Though the SLR remains the most popular type of interchangeable-lens camera, a new design is picking up steam. A hybrid of sorts—having a lot in common with fixed-lens compact digital cameras—these EVF cameras offer smaller, lighter bodies compared to SLRs.
Olympus E-P2 (Sigma’s fixed-lens DP1, introduced in 2008, was the first compact digital camera to feature a DSLR sensor.) Now we have the second generation—the E-P2.
10 Best New Camera Features
New technologies are refining what’s possible The early generations of digital cameras focused mainly on matching the quality, speed and performance that photographers had come to expect from their film cameras.
Basic Tech: HD Video And Autofocus
DSLRs with HD video are the wave of the future. Is lagging autofocus a thing of the past? If, the first time you picked up an HD video-enabled DSLR, you blasted full-speed ahead into figuring out how to shoot video without reading the owner’s manual (as I did), you were undoubtedly surprised to discover how poorly your camera focused (as I was).
Nikon D700 Positioned directly in between the D300 and the D3 both in price and in functionality, the Nikon D700 brings full-frame to an affordable level for prosumers and advanced amateurs. The 12.1-megapixel, FX-format camera takes the best of the D3 and packages it into a compact D-SLR, with the same CMOS sensor and EXPEED processing.
Sony Alpha DSLR-A900 Sony’s DSLR-A900 brought the Alpha series of D-SLRs into full-frame territory, with an industry-leading 24.6-megapixel Exmor CMOS sensor and Dual BIONZ processing. For photographers without strong brand loyalty from years of shooting with 35mm SLRs and lenses, the A900 is a strong contender as a full-frame system to buy into, particularly since Sony manufactures the same sensor for the Nikon D3x, which is priced at upwards of $5,000 more.
Canon EOS 50D The lowest-priced model in the midrange D-SLR category, the EOS 50D nevertheless offers the second-most megapixels, excellent performance and lots of features. It was Canon’s top APS-C-sensor model until the EOS 7D was introduced at press time.
Nikon D3X Replacing the D3 as Nikon’s flagship D-SLR, the full-frame D3x, now almost a year old, was the eagerly anticipated evolution of Nikon’s solid D3. On the exterior, the D3x is identical to the D3. The build, interface and many of the features so familiar to D3 users have been carried over directly to the D3x. Underneath the hood, however, there are a few substantial improvements that make the $3,000 price hike reasonable, including a brand-new sensor and a 16-bit processing pipeline with your choice of image file capture at 14-bit (16,384 tones) or 12-bit (4,096 tones) for incredibly high picture quality and subtle tonality.
Leica M8.2 Leica and the little red dot that serves as its logo are synonymous with a certain photographic mystique—and phenomenal optics. As the name implies, the Leica M8.2 is the sequel to the M8, Leica’s initial foray into digital. The M8 itself, released in 2006, continues the traditional aesthetics and minimalist elegance of the analog M Series, which goes back more than 50 years.