It used to be that shooting indoors required you to expend extra effort on lighting in order to get usable shots. The main issue, particularly when working with film, was the color balance. Mixed lighting from windows and fixtures, as well as the general awful look of any continuous light fixture when used with daylight-balanced film, meant that indoor shots without flash, without filtration, or without augmented lighting would look several different shades of awful. But like so many other things in this digital world, that’s just not the case any more. Now white balancing is so simple it’s practically an afterthought. Because RAW shooting makes custom white balancing (and precisely perfecting after capture) an absolute snap, it’s ridiculously easy to get great photos with great color indoors. That’s the gist of a recent post at DPS about photographing portraits at home without flash. The other great advice author Fred Verosky provides is how to find ideal lighting. That way not only will the color balance be great, but the lighting pattern will be too. It’s a great read for almost any kind of shooter—especially with winter right around the corner and the prospect of indoor shooting an increasingly possibility.